Ӱɴý

Innocence and Imagination: Joseph Addison’s “Pleasures of the Imagination” and Alexander Pope’s “Eloisa to Abelard”

By: Rebecca Beyer and Victoria Battaglia Innocence and Imagination: Joseph Addison’s “Pleasures of the Imagination” and Alexander Pope’s “Eloisa to Abelard” Joseph Addison’s philosophical essay “Pleasures of the Imagination,” published in The Spectator (1712), takes a wary approach to the imagination. According to Addison, if employed properly, the imagination can be a means for one

Innocence and Imagination: Joseph Addison’s “Pleasures of the Imagination” and Alexander Pope’s “Eloisa to Abelard” Read More »

Disability Studies Possibilities in Burton’s Edward Scissorhands

By: Lillian LeCompte “Disability Studies Possibilities in Burton’s Edward Scissorhands” Weird bone structure, exaggerated body features, and dark imagery all permeate the work—live-action or animated—of one of today’s most prolific filmmakers: Tim Burton. In every full length and short film he creates, the man’s obsession with depicting the body in as strange a way as

Disability Studies Possibilities in Burton’s Edward Scissorhands Read More »

Unlearning “Compulsory Heterosexuality”: The Evolution of Adrienne Rich’s Poetry

Angel Chaisson Unlearning “Compulsory Heterosexuality”: The Evolution of Adrienne Rich’s Poetry             Adrienne Rich (1929-2012) was an American poet and essayist, best known for her contributions to the radical feminist movement. She notably popularized the term “compulsory heterosexuality” in the 1980’s through her essay “Compulsory Heterosexuality and the Lesbian Experience,” which brought her to the

Unlearning “Compulsory Heterosexuality”: The Evolution of Adrienne Rich’s Poetry Read More »

Oh, She’s a Gold Digger

Sadie Andras “Oh, She’s a Gold Digger”:  The Objectification and Commodification of Black Women in Contemporary Culture             Black women in the United States have continually been objectified and commodified because their skin color and gender. Both darker skin tones and women are considered “subordinate” in our society that notoriously “categorizes people, things, and ideas

Oh, She’s a Gold Digger Read More »

Delving into the Mind of Faulkner’s Darl Bundren

By: Lillian LeCompte “Delving into the Mind of Faulkner’s Darl Bundren” There is no question that William Faulkner disregarded the boundaries and methodologies of “standard” writing and very well deserves his place being praised as one of today’s greatest modern writers. He did not know how to write a “normal” book. As I Lay Dying

Delving into the Mind of Faulkner’s Darl Bundren Read More »

A Modernist Home for Holly Golightly: From Fabricated Glamour to Functional Minimalism

By: Krista Butts “A Modernist Home for Holly Golightly: From Fabricated Glamour to Functional Minimalism”             Blake Edwards’ 1961 film, Breakfast at Tiffany’s, which is based on Truman Capote’s novella, tells the story of Holly Golightly, a girl trying to establish a glamourous identity in order to endure in the treacherous setting of New York

A Modernist Home for Holly Golightly: From Fabricated Glamour to Functional Minimalism Read More »

Early American Perceptions of Native American Captors

By: Hannah Sisk Reynolds In literature, comparing plots and characters is relatively easy. However, to conceptualize an aspect from a genre based upon three distinct works is more thought-provoking. Though the three captivity narratives discussed herein occur during different time frames and are acted out by different tribal groups, there are blatant similarities among them.

Early American Perceptions of Native American Captors Read More »

A Review of Sue Taylors article, ‘The Artist and the Analyst: Jackson Pollock’s Stenographic Figure,’ and Pollock’s Struggle for Originality

By: Tabitha Mire “A Review of Sue Taylors article, ‘The Artist and the Analyst: Jackson Pollock’s Stenographic Figure,’ and Pollock’s Struggle for Originality” Jackson Pollock’s Stenographic Figure (figure 1) was groundbreaking for American art in the 1940s. The visual interpretation of the subject of Pollock’s Stenographic Figure, made in 1942, has left art historians and

A Review of Sue Taylors article, ‘The Artist and the Analyst: Jackson Pollock’s Stenographic Figure,’ and Pollock’s Struggle for Originality Read More »

Gold and Wit: Congreve, Jonson, and The Evolving Ideal of Women

“Gold and Wit: Congreve, Jonson, and The Evolving Ideal of Women” By: Caitlin E Jones In 1711, Joseph Addison makes a startling claim in his article, “The Aims of The Spectator”:“there are none to whom this paper will be more useful than to the female world” (2646). The article entreats readers to educate themselves by

Gold and Wit: Congreve, Jonson, and The Evolving Ideal of Women Read More »